Monday, September 19, 2016

Interview with M. S. Spencer, Author of Whirlwind Romance



What made you decide to be an author? Had to. Not an option.

What do you like best about being a writer? What do you like the least? Best: making my own (long) hours and working in my underwear. Least: Realizing I haven’t been out of the house for twenty-three hours.

How do you think your life experiences have prepared you for writing? Oh, my. I’ve been very lucky. As my bio says—rather archly, I admit—I’ve lived or traveled on 5 of the 7 continents, studied at way too many universities & acquired way too many diplomas, worked for the Senate, Interior, libraries, and non-profits. Lots of crazy experiences have wormed their way into my books (thank God, since I had nowhere else to put them). Someday I’ll figure out how to get my heroine into the bowels of Hoover Dam (true story).

Have you ever felt as if you were being dictated to while you wrote a book--as if the words came of their own accord? If yes, which book did that happen with? Absolutely! Great question. Too many times to count I’ve re-read a scene and realized the characters have grabbed the leash and galloped off in a totally different direction. I’ve learned to shrug and follow. The most obvious time was in Dear Philomena, when the heroine’s father turned up in Chapter Two with his own full set of problems smack in the middle of my beautiful murder mystery.

You’ve written 10 novels (and 1 story for an anthology) and are working on three more novels. What’s your favorite time management tip? Pretend that you live on some planet whose day is 2 hours longer than Earth’s.

Are you a plotter or a pantser, i.e., do you outline your books ahead of time or are you an “organic” writer? Both J. I usually have the setting and the last line set. Then I waste a lot of time working on scenarios that never make it into the story, and after that simply hours picking names and deciding on physical descriptions. Then I start to write.

If you had one take away piece of advice for authors, what would it be?
Edit your work so many times that your eyes wobble and you find yourself drooling—so often that you wake up in the middle of the night and rush to the laptop when you finally nab that elusive adjective that will make your work almost (but not quite) perfect.

Did music help you find your muse with this book? If yes, which song did you find yourself going back to over and over again as you wrote?
I need quiet to write (I get confused easily). I can’t even read other books while writing.  Or eat. I can, however, stare out the window, pace, and pick at imaginary bits of fluff on the desk.
 

Tell me more about Whirlwind Romance.
In the aftermath of a hurricane, jelly maker Lacey Delahaye finds herself marooned on an island on the Gulf coast of Florida with a mysterious man. They are immediately drawn to each other, but before Armand can confess his identity, they are kidnapped and taken to a tiny island in the western Caribbean. There, Lacey finds herself faced with pirates, fanatical ideologues, and palace intrigue, not to mention the advances of three men, only one of whom she loves.

How about an excerpt from Whirlwind Romance? 

Tommy’s Tree House
 She climbed quietly, hand over hand. As she reached the last board, a soft, but menacing voice purred, “Well, my sweet, you’ve found me.”

Okay, here’s where we find out if he’s a bad guy. “Give me a hand up, will you?” Other than a slight intake of breath, he complied without a word.

Lacey’s head rose up over the floor to find a cubicle lit by a small pencil torch and cluttered with toy guns, candy bar wrappers, and crushed Dr Pepper cans. And Armand. Who took up most of the rest of the space. He still held her hand, but he had stopped pulling her. “Where did you plan to sit, on my lap?”

At least he’s toned down the threat level. “Or you could come down. I don’t think Tommy Forster allows uninvited guests in his palace.”

His jaw dropped. “Palace?” After a brief interval, he said, “Oh. I see. I can’t.”

“Can’t what?”

“Come down.”

“Why not?”

“I…I…think I reinjured the ankle. I can’t put any weight on it.”

Lacey toyed with the idea of leaving him there for little Tommy, but his mother would have been appalled. “All right, just a minute.” She climbed down and went back to her house, grabbed a coil of rope from the shed and sprinted back up the street.

“Armand?”

“At your service.”

“I’m bringing up a rope. I want you to tie it to something, then you can shimmy down without using your feet.”

“Um, what about when I get to the ground?”

How much did he say he weighed? Twelve stone? Lacey calculated swiftly. Must be over a hundred sixty pounds. “I’ll try to ease you down.” She threw the coil into the darkness and backed down the tree.

A few minutes later the rope tumbled down and Armand emerged. “For the record, this was my worst sporting event in public school.” He held on for dear life and inched down the rope. Five minutes later he’d descended a foot.

“Come on, Armand—hurry it up.”

“I’m doing my best.” By dint of a lot of swearing and some wild swinging, Armand made it into Lacey’s waiting arms. He sat on the ground, legs splayed out in front, panting. “Now what?”

Lacey hadn’t really thought that far. If he’s a fugitive, I can’t trust him. And I have no way of contacting the police. Maybe this wasn’t such a great idea. “Er, I guess we’d better get you back home. Then you can tell me what this is all about.” He didn’t argue, but when he tried to stand, he fell over. She considered the situation. “What we need is some kind of transport. Like…like…what was that thing the Indians used?” Lacey cast about for the word.

“Travois?”

“That’s it—aren’t you clever. A sort of triangular thingy to carry a wounded man. Made of logs and deerskins.” She stopped, not—as one might assume— due to the lack of readily available logs and skins, but to savor the picture in her mind. An injured warrior, lying spread-eagled before her—bare-chested, sexy, bravely enduring the pain. Wow.

Armand didn’t seem to notice her heightened color and pointed at the carport across the street. “Could we use that little red wagon?”

She followed his gaze. Story of my life—instead of Geronimo I get Ralphie. “That’ll do. Wait here.”

“Yes, I think I shall.” Armand kept a straight face. Lacey brought the little wagon to him, and he lay down in it, arms and legs hanging over the sides.

“You’ll have to lift up your extremities if this is going to work.”

And so, with Armand looking like an upside down turtle and Lacey with tears of laughter streaming down her face, they staggered along the road to her house.
Where can readers find more about your stories, books and you on the Internet? 
Blog: http://msspencertalespinner.blogspot.com
Facebook: https://www.facebook.com/msspencerromance
Twitter: www.twitter.com/msspencerauthor
GoodReads:http://www.goodreads.com/msspencer
Google +: https://plus.google.com/u/0/+MSSpencerauthor
Pinterest: http://pinterest.com/msspencerauthor/

Amazon Author Page https://www.amazon.com/M.S.-Spencer/e/B002ZOEUC8

Coming 2017: Lapses of Memory

Buy Links for Whirlwind Romance
TWRP: http://catalog.thewildrosepress.com/all-titles/4470-whirlwind-romance.html
Amazon: https://www.amazon.com/Whirlwind-Romance-M-S-Spencer-ebook/dp/B01HLSSS3Y/
AllRomanceEBooks: https://www.allromanceebooks.com/product-whirlwindromance-2069719-153.html
Barnes & Noble: http://www.barnesandnoble.com/w/whirlwind-romance-ms-spencer/1120206448
Kobo: https://store.kobobooks.com/en-us/ebook/whirlwind-romance-4
Bookstrand: http://www.bookstrand.com/whirlwind-romance-0
ITunes: https://itunes.apple.com/us/book/whirlwind-romance/id1137681038?mt=11

M. S., thank you so much for being with us here today. I know my readers will enjoy your work and your interview.

Tuesday, September 13, 2016

Interview with Holland Rae, Author of Protecting Your Sources



What made you decide to be an author? I didn’t have a choice! Writing is something I have to do - otherwise where will the stories go? My mom is a poet and used to teach kids’ writing classes, so I’ve had support and advice from my family since I was about eight years old. Somewhere along the line all those folders and notebooks of stories just became real books!

What do you like best about being a writer? What do you like the least? My most favorite part of writing is creating new worlds. They don’t have to be paranormal or fantasy, but a new universe in which this person exists and these events occur. I’m a different person when I wake up every morning, and through my writing I get to be a cat burgler, a duchess, or a pirate queen. This totally includes the research too. I’m a huge nerd, so writing absolutely excuses a two-hour search for the history of this Delft porcelain birdcage or these constellations. I learn so, so much from writing stories.

It’s also wonderful to create dynamic and interesting female characters. That’s such a huge element of why the romance genre called to me, and continues to do so. If I can help one young girl believe that her agency is just as important as any male protagonist, then it’s all worth it.

When it comes to writing, I have to say that editing is my least favorite part. I started out as a self-published author, so I became very adept at editing, and I absolutely understand the value of a good editor. I think I do a good job editing my own work, but after you’ve spent months editing a story it can sometimes feel like all I can see are the flaws. Eventually the final product comes out though, and that’s the best feeling.

How do you think your life experiences have prepared you for writing?
As mentioned above, I’m a huge nerd. I love to learn! I went to school for journalism and writing, and I’ve disciplined in art history and literature, as well. Add a voracious appetite for travel and I’ve found that absorbing information and coming up with new ideas for stories, have become the easiest parts of the whole process. My next story starts off in the Rijksmuseum in Amsterdam, and I got a personalized tour of Dutch Masters Gallery by its curator when I studied abroad in The Netherlands, so I feel a great connection to it and the city. That’s the coolest thing.

Journalism, by far, has been my greatest asset in writing fiction. Just knowing what questions to ask of your research and potentially your characters, has afforded me a huge advantage.. Also, Protecting Your Sources takes place in Boston, where I went to college and my protagonist, Sarina Mason, is a reporter, so I think some of those facts of my own life did bleed into the story, for sure. (She even drives a Volvo! My first car!)

Have you ever felt as if you were being dictated to while you wrote a book--as if the words came of their own accord? If yes, which book did that happen with? You’ve heard of a runner’s high - this is the writer’s high! I absolutely love this feeling. It takes you totally out of the sitting-in-your-office moment and puts you on the dance floor of a Duchess’ ball or some such. I’m a huge chunk writer, so it happens a couple times a book. Similar to running, though, I feel like you have to get through the ‘stitch in the side, out of breath’ feeling, before hitting this stride.

What’s your favorite time management tip? I have two short stories and two novellas currently published. Three novellas and one more short story are coming out this year. Two novellas are in submission. I have one full length novel in edits and I’m almost done with draft one of my white-whale historical novel. At the moment, I’m also working on two more novellas.

I know it sounds totally nuts, but I’m terrified of starting from the beginning. If someone told me I wasn’t allowed to work on more than one story at a time, I’d probably pee myself! I know the one story would get done faster, but I love the feeling of knowing that a final project is always just around the corner. I’ll be done with edits on this, then the first draft on that, ect. That idea of starting completely from zero is so not appealing. I also write under two names - you can find my erotic romance under Gemma Snow, so I have to have several stories going at once.

Huge to-do lister alert! I write completely insane to-do lists and never ever finish them, but that’s okay. It gives me the chance to break up my work. For instance, if I have to edit a story, I’ll break it down into 20 page sections. That way I feel like I’m actually accomplishing things through the day. Plus, I run tons of social media and I’m the editor of news and social media for a start up company - with a day job to keep it all going! I’m definitely an organize, organize, organize kind of person.

Are you a plotter or a pantser, i.e., do you outline your books ahead of time or are you an “organic” writer? I’m totally a plotter, but my most recent historical erotic romance for Gemma Snow is a full length novel that I wrote completely without an outline, and I honestly think it’s my best one so far - I guess that says something! But I like outlines, because even if I deviate, which I’m guaranteed to do, I know what direction I’m supposed to go in, or what needs to change to keep a story on track. I think a solid outline is a great bouncing off point.

If you had one take away piece of advice for authors, what would it be? It’s not original, but that’s ‘cause it’s the most important! Read and write always. Write every day. Read every night. Listen to books on tape. Keep a journal in your notebook or pages on your phone.

I once read a quote by a famous photographer, Henri Cartier-Bresson. He said, “Your first 10,000 photographs are your worst.” That really stuck with me. We have to get through the first 10,000 photos - stories, scenes, characters, to get to the really good stuff. Plus, we’re learning every step of the way from both the reading and the writing. There’s no better education than just putting pen to paper and figuring out what works.

Did music help you find your muse with this book? If yes, which song did you find yourself going back to over and over again as you wrote? Oh, dear God no. I’m the worst. If there’s a bird out of the window, I’m not writing. My boyfriend automatically puts his headphones on when he watches videos, because he knows I get distracted so easily. If I hear any lyrics, I automatically start writing them down! Soundtracks work sometimes, but I really just prefer quiet.

Tell me more about Protecting Your Sources.
For the past six years, Boston crime reporter Sarina Mason has shared an amiable, if somewhat flirtatious relationship with sexy-as-sin city detective Kit Holden. But three months ago, after an attack on the precinct which involved Kit shielding her body with his own, Sarina knew that their professional working friendship was developing into something more, something dangerous for both of their hard-earned careers, so she turned tail, avoiding the precinct and the handsome, distracting detective inside.

When a copycat serial killer hits the city sideways, however, Sarina knows she has to get the story, and with it, see Kit again. What starts as the news story of her career, soon becomes more personal as Sarina discovers an important clue, effectively making herself the killer’s next target. Kit has sworn he’ll stop at nothing to keep her safe, but as she gets mixed up in history, danger, and her own wild emotions, Sarina knows that her relationship with Kit will be forever changed, if she gets out alive.

How about an excerpt from Protecting Your Sources?

Chapter 1
SARINA Mason caught a glimpse of herself in the rearview mirror of her ancient Volvo, and sighed fiercely at her reflection. The car harkened back to an era where high class was putting black plastic anywhere it could fit, and seat covers came in various shades of leopard. But it ran, and it got her from one place to the next, which was a requirement for her job as a crime reporter at The Tribune, so what more could be asked of it, really?
What Sarina wasn’t sure was running properly—in fact, she was certain it was operating with a distinctive fault in the connectors—was her own damned brain. What other reasonable explanation could there be for her coming down to Precinct 16 in South Boston, with the intention of locating one Detective Kit Holden?
Maybe she had shorted a fuse, Sarina thought for a moment, rifling through her reporter’s kit—camera, voice recorder, notebook. She hadn’t come looking for Holden in three months, and there was a damn good reason why. But this time she didn’t have a choice. This time she couldn’t pass off the interview to a junior reporter, or put her article in with the token press statement. No, this time Sarina knew she needed some one-on-one with the good detective, and damned if that didn’t make her just a little bit excited.
* * * *
Detective Kit Holden was in a foul mood. He had a goddamned serial killer running roughshod through his city, and everyone from the college papers to the Mayor himself was breathing down his goddamn neck, looking for answers that Kit simply did not have.The amount that he did have regarding the string of bizarre homicides was so paltry he’d have encountered more luck playing Clue in the statehouse basement.
Kit was just cursing the precinct’s unpalatable coffee dregs, when he caught sight of something that made his mood go from foul to seething in two seconds flat. A flash of golden-brown hair, a self-assured, confident aura, yes, Sarina Mason had the ability to crawl under Kit’s skin and irritate in him in a way no one else in his life, press or otherwise, had perfected. Miss Scarlet, indeed.
“Miss Mason…” He stepped forward, tossing the disgusting coffee into the trashcan, and not bothering to school his voice into anything other than obvious distaste at her arrival. Truth be told, Kit didn’t dislike the beautiful reporter on a personal level. He had a grudging respect for her hardheaded desire to report the truth, and he knew that she was damned good at her job. But the age-old rivalry between cops and journos was reason enough for him to let out a little of the venom he was feeling for the day as a whole in her direction.
At least, that was what Kit told himself. He told himself that the irritation he felt when he spied Miss Sarina Mason was entirely based on the feelings of irritation that city detectives had for young, career journalists, and nothing at all to do with the way his body, all of his body, stiffened around her, nothing at all to do with how he was already close to busting a hole in his increasingly tight dress pants at the sheer scent of her wafting across the room.
“I haven’t seen you in a while, Detective,” she replied, those plump, dark red lips looking a sight too desirable on a woman wearing a simple black blazer and sensible boots. “What say we have a little chat, catch up on old times?”
Kit raised an eyebrow in her direction, leaning against the wall of the breakroom and eyeing her suspiciously. He’d always had an amicable relationship with The Tribune. The ongoing and altogether impossible to ignore flirtation that had peppered his professional relationship with Sarina Mason was both strong and mutually beneficial. Kit had never felt it wise to withhold everything from the press, having seen the disastrous effects of that strategy time and again, and so he’d offered information and details as far as he could, and Sarina had reported them fairly and cleanly. She was nothing, if not a damned good reporter.
Until. Until three months ago, after a routine interview regarding several incidents of drug trafficking, when members of a gang had attacked the precinct. He could remember pushing Sarina under his desk, eventually shielding her body with his own, as a shower of bullets, both criminal and cop, had rained down upon the station.
He had seen her only once afterward, in three damned months, when she had visited him in the recovery room of Mass General, thanking him for saving her life. And then radio silence, nothing but junior reporters and lame ass phone interviews that had Kit wondering just what had changed between the two of them that day. What he refused to analyze, even though it had remained a constant in the back of his mind, was why he had been so damned disappointed by her sudden disappearance.
* * * *
She had done everything she could have done to prepare herself for seeing him again, but it didn’t stop Sarina from nearly losing her breath at the first visage of Kit Holden, with his large, muscled frame and straight, lightly stubbled jaw. He was leaning against the doorframe, one eyebrow lifting deep into the line of his hair, both dark eyes trained upon her in a way that had Sarina remembering just what had caused her to retreat with her tail between her legs.
He was just so damned confident, with that sexy-as-sin smirk, and the breadth of his shoulders, stretched under old-fashioned suspenders, pulled taut against a collared shirt with the top few buttons popped. He looked like something out of a film noir movie, and Sarina felt the frustration bubbling under her skin. She wanted a damned interview and that was it. Not this ridiculous, unquenchable lust for the good detective.
After all, that was why she had left in the first place, putting her career above her desire to press Detective Holden against the nearest doorframe and have her way with him. Sure, it was a great thing to have a good relationship with the local officers, especially as a leading crime beat reporter, but Sarina had few illusions about that kind of relationship being exactly what her editor had in mind.
Holden looked as though he were keeping in some choice words, and then a flicker of a grin passed across his eyes, so quick she could have missed it.
“I need a cup of coffee,” he said, eyeing the garbage can with a measure of venom. “Walk with me, Miss Mason?” The way he said her name had Sarina’s self-control already teetering toward the edge. She was so close to throwing caution to the wind and saying screw it all to her job, when she stood even in the same room as him. Self-protection had kept her at a distance and, after three long months, she was instantly reminded why.
“There’s a price for my company,” she said, making an effort to seem careless in keeping up with his long stride. “Do you think you can afford it?” Kit brought out another side to her. Never in a million years would she have been caught dead flirting with a source. Well, any other source. She took her job incredibly seriously, and knew just how detrimental it could be to a woman in the field, especially on the crime beat, to be using her feminine wiles to get scoops. It almost always ended badly, and she wanted no part of being caught up in that whirlwind.
But flirting with Kit was like second nature and seemed to come without any thought or control. She was a totally different person when she was around him, a wild, uninhibited kind of woman—the kind of woman she had never been, not with late nights of studying her way to Summa Cum Laude of Brown, not with front page, hard-hitting news stories she so prided herself upon. She was a hard worker and responsible woman. She had been called too responsible at times, but no one would have ever called her wild.
The way Kit was looking at her now, however, as though payment in interview questions answered was definitely not what he had in mind, made it hard to concentrate.
“I’ll be more amiable if I have some caffeine in me.” It came out more like a growl, and she got the impression that he was definitely not thinking about the café down the street.
That was just the problem. Sarina had no illusions about her attractiveness to men. She was pretty, though she downplayed it when on the job. But her crazed confidence and will to do whatever it took to get a story had the tendency to turn men off, which was just fine by her. The good detective, however, gave as well as he got, and their verbal sparring had ratcheted to something a little more dangerous, a little fierier in the weeks before the precinct shootout.
“Oh, but I do so like the grumpy detective Holden,” she said, laughing, as she followed him out the front door of the precinct and onto the sidewalk. “It suits you, Kit.” He raised an eyebrow at her, and she nearly laughed again, right in his face.
“You’re acting like a stereotype.” She wondered where these lines were coming from, since good little reporter Sarina Mason did not flirt with gorgeous, muscled detectives on the way to get coffee. She did not.
“And you’re not?” That smooth voice was drove her a little closer to the edge of self-control, to complete and utter distraction. It was Sarina’s turn to raise her eyebrow.
“I’m intrigued.” She pulled her lower lip into her mouth subconsciously, as she watched him eye her with a measure of intensity storming his dark gaze.
Kit watched her lips, and then smiled, a genuine smile, and that had an effect on her body that was altogether different and unexpected.
“We do play well into our roles,” he said in lieu of a proper answer. “Roughed up cop and hardcore reporter. What a quaint team.” He had only the twinge of a Boston accent to his voice, more likely from working on the force than from actually living in Boston, but it ran a rough tone under his already deep words. She was going crazy and they had been together for less than five minutes.
“All right then, teammate.” Sarina grasped for the strength she knew was buried very deep down. “Help a fellow player out—why are these copycat murders happening now? Why not last September, the ten-year anniversary of the original killing spree?” If Kit was surprised by her change of subject, he didn’t say anything, though his smile did slip away, and Sarina found herself missing it.
“I can always trust you to get me when I’m comfortable.” His voice was low. “But okay, I’ll play ball.”
She fumbled for the recorder in her bag and pressed the large red button, beginning the audio recording. Kit sighed at the small device, and then continued.
“We have suspicions that this isn’t just a copycat. We think it might be someone who knew Sinclair while locked up, before he was moved to Texas. If this person knew him ten years ago, it stands to reason that he might have only just been released this year, or within the last ten months. He, statistically speaking that is more likely, waits until the anniversary, because it closely resembles the original spree, but he’s not out in time for the tenth.”
They arrived at the café just as Kit finished. Sarina paused her recording as they got into line and ordered their cups of coffee. Then the two of them settled into a small, far too secluded part of the coffee shop. Sarina pressed on. Nothing like a murder spree to keep one’s mind off the subject of hot detectives.
“So have you compiled a list of all of the inmates released from Wellington in the past ten months? What leads have arisen?”
Kit let out a sigh, and she got the impression his investigation was going less than swimmingly. “Wellington, yes. But the list is long, eighty-nine people, narrowed down to just seventy-nine for folks who weren’t in long enough to have met Sinclair.”
“So what’s the next step?” She felt the familiar rush of a story looking oh-so-good, the interview process giving her more than she could have expected. Maybe Kit was being generous because her arrival had caught him off guard.
“Nothing fancy.” Kit rubbed his temples. “We go through the list until we’ve narrowed down any more possible suspects, and then we mark them off one by one. But you already know this bit, Sarina.”
She hated the way he said her name. She hated it because he spoke with a deep, rich tone to his voice, and when his tongue rolled over her name, Sarina, she ceased to function. Ceased, it seemed, to be capable of focusing on anything other than his devilish tongue, and what it might be able to do to her, if only she let it, if only she let loose long enough to enjoy more than just a flirtation. But was she even capable of that? Was she the kind of woman who could go through with it? Without hesitation, without pause, she answered her own question—she was definitely the kind of woman who wanted to try.
* * * *
If she kept chewing on her damned lower lip, Kit was going to pop right through his pants. She had delicious lips, and Kit had no doubt in his mind that Sarina would be the kind of woman who enjoyed having her lips kissed, nibbled, and bit until there was more than an echo of pain. Damn. The idea of biting her lower lip, or biting the skin just below her ear, right under the tight, prim bun she wore to concentrate on their office planning board, well, it was making things damned difficult for him. One might even say hard.
“Have you followed the path Sinclair took to Texas?” She looked up from a small board in the conference room of Precinct 16. “He might have inspired someone along the way there.”
Kit looked down to his notes and back to the board, anywhere but at the curving slope of her hip, currently angled in his direction, or the delicious swell of an ass he desperately wanted to wrap his hands around and squeeze. Hard.
“We checked in with three different stops on the way to Texas, and it looks like only seventeen inmates were let out in total, only four of which were in prison long enough to have met Sinclair. Of those, two were in solitary.” His tone was completely flat. They had gone over this information a dozen times now. “And it would have been difficult for them to have gotten much contact, anyway. Sinclair was kept largely isolated from the rest, specifically for this reason.”
Sarina pursed those damned lips together, and then turned back toward the board, humming as she thought. The woman was a hard-knocks crime reporter, the kind of person who saw gruesome stories on the regular, stories Kit knew all too well. But that didn’t seem to make her harder. It didn’t seem to make her numb to the goodness of the world. No, she hummed. While looking at a mock-up of the travels a serial killer took after an eight-murder spree. She hummed. What kind of woman was Sarina Mason, and why was she so making him so wildly uncomfortable?
“I’m going to head back to the office,” Sarina said after a moment. She eyed the green folder in his hand, and Kit gave her a wry grin.
“Don’t you think about it,” he said. “I’ve let you see the board and I’ve answered your questions. Don’t test how not nice I can be when I’m pushed.” She gave him a sugar sweet smile and pursed those damned lips again.
“Fine.” She paused. “For now. But if I come across something that might help, I’ll be sure to pass it along.” She eyed the folder again, and he sighed.
“We’ll talk if you come up with something.” Kit tried not to think about how he’d like to help her come up…with something. Oh, come on.
It wasn’t unusual for her to stick her head into the conference room and run over a couple things. Kit’s relationship with the press was amiable, but more than that, Sarina did her research and often brought new details or clues to help their case. She was always up front about their relationship in her stories, and Kit had long ago stopped barring her from entering. It did neither of them any good. But he did still have to draw the line somewhere.
She fumbled for something, and the small recorder fell from the table between their feet. Together, they both bent toward the floor, and it was only when their hands brushed over the recorder, that Kit looked up and realized just how damned close she was, how beautiful she looked with the one wayward curl escaping her bun, how close those bright lips were to his own, and if he just—
“I’ll call you if I find anything,” she said, standing abruptly, as if only now realizing how dangerous things could get if the two leaned just an inch toward each other. He nodded his ascent, and she was halfway out the door before he called her name.
She popped her head back into the room, looking slightly frazzled, a thought that distantly amused him.
“Yes, Detective?”
He moved past the way that word sounded on her lips, the way it might sound if it were followed by please, may I have another? He nearly groaned aloud. “It’s good to see you again.”
She smiled and nodded.
“It’s good to see you too, Kit.” Then she was off.
Where can readers find more about your stories, books and you on the Internet?Website: https://hollandrae.com/
Facebook: https://www.facebook.com/HollandRae/
Twitter: https://twitter.com/@raeromance/
Pinterest: https://www.pinterest.com/hollandraeroman/
Instagram: https://www.instagram.com/hollandraeromance/

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Holland Rae, thank you so much for being with us here today. I know my readers will enjoy your work and your interview.