What made you decide to be an author? I loved reading when I was a little kid, and I got a lot of encouragement. Becoming an author has been a lifelong dream.
What do you like best about being a writer? What do you like the least? I like the freedom – both of my schedule and the opportunity to explore what I want. But I spend a lot of time alone and work from home. I miss going somewhere to work.
How do you think your life experiences have prepared you for writing? I lived overseas for nearly twenty years in developing countries. It was very rewarding work but could be very stressful – corrupt cops, poor infrastructure, and the usual misunderstandings surrounding different languages. I feel like those twenty years condensed a lot of crazy experiences in a very short time.
Have you ever felt as if you were being dictated to while you wrote a book--as if the words came of their own accord? If yes, which book did that happen with? Not so much, but sometimes the words flow more easily than others. I find I’m writing and writing and not thinking much about it. It’s a good day when that happens!
You’ve written 11 novels and are working on a 12th novel. What’s your favorite time management tip? Have a schedule! Some people are able to fit in their writing haphazardly, but I’m not one of those people. I sit down at the same time every morning and get up at the same time when my writing is done. For me, it works.
Are you a plotter or a pantser, i.e., do you outline your books ahead of time or are you an “organic” writer? I’m a light plotter. I usually plot one-half to three-quarters of the way through the book. But I leave myself room to go where the muse takes me (the muse generally isn’t overly involved in the plotting process – that’s very mechanical for me).
If you had one take away piece of advice for authors, what would it be? Keep writing!
Did music help you find your muse with this book? If yes, which song did you find yourself going back to over and over again as you wrote? Not a song, but I listened to the Cirque du Soleil’s steampunk album, Kurios.
Tell me more about A Midsummer Night’s Mechanical.A Midsummer Murder: The California Territory, 1849
Blamed for burning down the San Francisco wharf, clockwork inventor, Sensibility Grey has spent the last three months in hiding. Now all she wants is to depart the gold-crazy boomtown for a new life in the East. So when the owner of a traveling theater offers her work embellishing his mechanical stage, she turns him down. Then he turns up dead on her doorstep along with his enigmatic stage.
An explorer of the mysteries of aether, Sensibility has her own secrets to keep, and adversaries who’ll stop at nothing to learn them. Is the mechanical stage a part of a bigger game? Or the key to unlocking her true, magical potential?
A Midsummer Night’s Mechanical is book three in the Sensibility Grey series of steampunk suspense.
San Francisco, California Territory, June 1849.
Sensibility sat cross-legged upon her bed and tried not to think. She tried not to think of the ache where her stays pinched her back. She tried not to think of tomorrow’s journey across the American wilderness. She tried not to think about the clamor of banging drums and tootling fifes and—“Oh, good gad!” She clenched her fist, pieces of quartz crystal biting into her flesh. Sensibility sprang from the bed and threw open the boarding house window. Oppressive heat, acrid from the nearby outhouse, rolled into the room. Wrinkling her nose, she leaned out over the fenced back yard and craned her neck. The afternoon sun streamed through the laundry, hanging limp on the line. From her position, she couldn’t see the street procession. But neither could she avoid hearing their blasted parade.Something scuttled near her elbow, and she jerked away, slamming her head on the window frame. White pain arced through her skull.A baby raccoon, not much larger than the palm of her hand, cowered on the other end of the narrow sill. It scrabbled, hunching into a tight ball, trapped on the high ledge.“Ow.” She winced, rubbing her throbbing head and glad her chignon had taken the brunt of the blow. “How on earth did you get up here?”The raccoon mewled.“You shall have to make your own way home, for you cannot come inside. Mrs. Watson has a strict rule about animals inside her boarding house.”Gently, so as not to disturb the creature, she shut the window. The raccoon peered over the ledge then looked at her, his expression plaintive.Attempting to ignore the animal, she paced the denuded room, her brown skirts swishing.They had ample space to swish. Nearly all her belongings lay compressed into a single carpetbag, set before the empty wardrobe. The bedroom had an air of abandonment.Unsettled, Sensibility rattled the quartz crystals in her hand and glanced to the window.The animal stared inside, forlorn.She tugged at her collar. It was such a small thing. But rules were rules. “You found your way onto the ledge. You can find your own way down.”Sensibility turned to the journal open on the desk. Her sketch of an unworldly creature she’d once encountered scowl from the page. Frowning, she slammed the book shut. It had been careless of her to have left it open. Strange, she couldn’t remember examining the journal before she’d gone downstairs to retrieve her luncheon.The crystals pressed into her palm. She was so close to a breakthrough in aether technology, but the clues remained buried. Buried in the remains of her father’s last journal. Hidden in a journal from a traveling occultist. Scattered throughout her own notes and theories. One day soon, she would fit those pieces together. It was madness to hope she could solve that problem today.Sensibility opened her hand and gazed at the quartz crystals. She’d mastered the use of aether to power small devices. But aether had other applications, such as distance control and distance vision. These applications eluded her. “There has to be a way…”She glanced at the window.The animal raised itself on its hind legs and pressed its tiny black paws to the glass.Sensibility groaned. “I know I’ll regret this.” Pocketing the crystals, she opened the window.The raccoon cowered.“You,” she said, “being a wild animal, will attempt to bite me if I rescue you. But I will have none of it. I shall pick you up, I shall take you outside, and you shall neither bite nor scratch. Do you understand?”In a swift motion, she grasped it by the scruff of the neck and lifted it inside. It writhed, and her grasp on it loosened.She gasped. “Don’t….”The raccoon dropped to her desk and shook its head. Whiskers twitching, it scuttled to her abandoned luncheon tray and made free with a bit of toast.
Kirsten Weiss worked overseas for nearly fourteen years, in the fringes of the former USSR and in South-east Asia. Her experiences abroad sparked an interest in the effects of mysticism and mythology, and how both are woven into our daily lives.
Now based in San Mateo, CA, she writes steampunk suspense and paranormal mysteries, blending her experiences and imagination to create a vivid world of magic and mayhem. Kirsten has never met a dessert she didn’t like, and her guilty pleasures are watching Ghost Whisperer re-runs and drinking red wine.
Sign up for her newsletter to get a free copy of the full length urban fantasy novel, The Alchemical Detective, and updates on her latest work at: http://kirstenweiss.com
Grandprize: ebook copies of The Sensibility Grey Three-Book set, and the entire Riga Hayworth series of seven urban fantasy novels.
Second prize: ebook copies of The Sensibility Grey Three-Book Set